Les Femmes de la Révolution
Artist
Ian Hamilton Finlay
(Nassau, Bahamas, 1925 - 2006)
AssociatedAssociated with
Madame de Condorcet
(Meulan, France, 1764 - 1822)
AssociatedAssociated with
Queen Marie Antoinette
(Hofburg Palace, Vienna, Austria, 1755 - 1793)
AssociatedAssociated with
Madame de Staël
(Paris, France, 1768 - 1817)
AssociatedAssociated with
Albertine Marat
(Neuchâtel, Switzerland, 1760 - 1841)
AssociatedAssociated with
Théroigne de Méricourt
(Marcourt, Belgium, 1762 - 1817)
AssociatedAssociated with
Madame de Pastoret
(Paris, France, 1765 - 1843)
AssociatedAssociated with
Madame Duplay
(Paris, France, 1768 - 1832)
AssociatedAssociated with
Charlotte Corday
(Ligneries, France, 1768 - 1793)
AssociatedAssociated with
Madame Roland
(Paris, France, 1754 - 1793)
AssociatedAssociated with
Rose Lacombe
AssociatedAssociated with
Marguerite Dennelle
AssociatedAssociated with
Catherine Thiot
Date2003
Mediumporcelain and cherry wood
ClassificationsInstallations
Dimensions76.5 x 327.5 x 89.5cm
AcquisitionPurchased in 2005 with assistance from the National Art Collections Fund and the Friends of Aberdeen Art Gallery & Museums.
Copyright© Estate of Ian Hamilton Finlay (2009)
LocationView by Appointment - Aberdeen Treasure Hub
Object numberABDAG014342
Keywords
This installation conjures up a dinner party where the imagined guests are the female protagonists and heroines of the Revolution. The personalities are identified and their names are inscribed on the dinner plates along with wild flowers. The two opposing sides, Republicans and Monarchists, are called together: Queen Marie-Antoinette sits opposite Charlotte Corday, Marat's assassin. Also remembered are Albertine Marat, Jean Manon Roland (who pronounced the immortal words, "O Liberty, what crimes are committed in thy name?") and Théroigne de Méricourt who led the assault on the Bastille.
The elegant place settings initially evoke an image of a convivial gathering but most of these women died in violent circumstances. So, the dinner party becomes a Last Supper. This duality, the contrast of light and dark, is central to Ian Hamilton Finlay's work.
More About Me
This installation imagines a dinner party where the guests are the female protagonists and heroines of the French Revolution, identified by their names on the porcelain plates.