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Les Femmes de la Révolution by Ian Hamilton Finlay
Les Femmes de la Révolution
Les Femmes de la Révolution by Ian Hamilton Finlay
Les Femmes de la Révolution by Ian Hamilton Finlay

Les Femmes de la Révolution

Artist (Nassau, Bahamas, 1925 - 2006)
Associated (Meulan, France, 1764 - 1822)
Associated (Hofburg Palace, Vienna, Austria, 1755 - 1793)
Associated (Paris, France, 1768 - 1817)
Associated (Neuchâtel, Switzerland, 1760 - 1841)
Associated (Marcourt, Belgium, 1762 - 1817)
Associated (Paris, France, 1765 - 1843)
Associated (Paris, France, 1768 - 1832)
Associated (Ligneries, France, 1768 - 1793)
Associated (Paris, France, 1754 - 1793)
Date2003
Mediumporcelain and cherry wood
ClassificationsInstallations
Dimensions76.5 x 327.5 x 89.5cm
AcquisitionPurchased in 2005 with assistance from the National Art Collections Fund and the Friends of Aberdeen Art Gallery & Museums.
Copyright© Estate of Ian Hamilton Finlay (2009)
LocationView by Appointment - Aberdeen Treasure Hub
Object numberABDAG014342
About MeIan Hamilton Finlay died on 27 March 2006. He was one of Scotland's most highly regarded contemporary artists and continued to work creatively into his eightieth year. The focus of his life's work, his garden, Little Sparta, at Dunsyre near Edinburgh, recently was voted in a newspaper poll, the most significant Scottish work of art of all time. The French Revolution has been a recurring theme in his art and at Little Sparta. Finlay developed a revolutionary iconography to represent wildness in nature and the struggle between nature and order.

This installation conjures up a dinner party where the imagined guests are the female protagonists and heroines of the Revolution. The personalities are identified and their names are inscribed on the dinner plates along with wild flowers. The two opposing sides, Republicans and Monarchists, are called together: Queen Marie-Antoinette sits opposite Charlotte Corday, Marat's assassin. Also remembered are Albertine Marat, Jean Manon Roland (who pronounced the immortal words, "O Liberty, what crimes are committed in thy name?") and Théroigne de Méricourt who led the assault on the Bastille.

The elegant place settings initially evoke an image of a convivial gathering but most of these women died in violent circumstances. So, the dinner party becomes a Last Supper. This duality, the contrast of light and dark, is central to Ian Hamilton Finlay's work.

More About Me
This installation imagines a dinner party where the guests are the female protagonists and heroines of the French Revolution, identified by their names on the porcelain plates.
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Launched in 1939, Produced 1950s
Dinner Plate - 'Garden' Pattern Dinner Service
Eric Ravilious
Launched in 1939, Produced 1950s
Dinner Plate - 'Garden' Pattern Dinner Service
Eric Ravilious
Launched in 1939, Produced 1950s
Dinner Plate - 'Garden' Pattern Dinner Service
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Launched in 1939, Produced 1950s
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Launched in 1939, Produced 1950s
Tea Plate - 'Garden' Pattern Dinner Service
Eric Ravilious
Launched in 1939, Produced 1950s
Tea Plate - 'Garden' Pattern Dinner Service
Eric Ravilious
Launched in 1939, Produced 1950s
Tea Plate - 'Garden' Pattern Dinner Service
Eric Ravilious
Launched in 1939, Produced 1950s
Tea Plate - 'Garden' Pattern Dinner Service
Eric Ravilious
Launched in 1939, Produced 1950s
Tea Plate - 'Garden' Pattern Dinner Service
Eric Ravilious
Launched in 1939, Produced 1950s
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Launched in 1939, Produced 1950s