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Harvesting

Artist (Newington, England, 1805 - 1881)
Date1863
Mediumwatercolour on paper
ClassificationsPaintings And Drawings
DimensionsSight Size: Height: 19 cm, Width: 42 cm
Frame: Height: 48.3 cm, Width: 70.3 cm
AcquisitionPurchased in 1949 with income from the Webster Bequest.
CopyrightOut of copyright - CC0
LocationOn Display - Gallery 07
Object numberABDAG002408
About MeSamuel Palmer's work belongs to the Romantic tradition in which painters used pure landscape to convey religious feeling. In 1826 Palmer moved to Shoreham, in Kent and there he was inspired to paint a series of pastoral idylls; harvesters and shepherds occupying fertile landscapes.

This scene does not represent a particular location or ruin. The setting sun illuminates the ruined Gothic abbey and is framed by the tracery of the rose window, thus this light becomes divine. It was Palmer's belief that God was manifest in everything, and although this is not a religious subject as such, the painting is religious in intention.



More About Me
A beautiful sunset marks the end of a long day during harvesttime. Even the cows look tired and ready for bed!
Exhibitions
Ploughed Fields
Edward Bawden
C.1936
Sun hat
Isocharm
early 1930s
Autumn Day, Midlothian Children Playing Near A Harvest Field) by William McTaggart
William McTaggart
1898
The Arrochar Gleaner by Robert Herdman
Robert Herdman
1862
Jedburgh Abbey
Sir George Reid
1876
The Fruit Stall
Johannes Rosierse
1875-1899
St Mark's By Moonlight by Charles H. Mackie
Charles H. Mackie
c. 1908-1912
The Happy Valley
Walter Richard Sickert
Scotland Delineated - Linlithgow Palace by James Duffield Harding
James Duffield Harding
1847
He Was Imprisoned
William Strang
1888
Gleaners
Sir George Clausen
1882
Eastre, Hymn to the Sun
John Duncan Fergusson
1924
Night Window
Barbara Rae
Tinted Spectacles
late 19th century - early 20th century
Sunglasses
1950s-1960s