Neptune Resigning the Empire of the Sea to Britannia
Artist
William Dyce
(Aberdeen, Scotland, 1806 - 1864)
Date1846 - 1847
Mediumwatercolour and gouache on paper
ClassificationsPaintings And Drawings
DimensionsOverall: Height: 41.6 cm, Width: 61 cm
Frame: Height: 64 cm, Width: 83.5 cm
Frame: Height: 64 cm, Width: 83.5 cm
AcquisitionPurchased in 1993 with assistance from the National Fund for Acquisitions, the National Art Collections Fund, the Pilgrim Trust and the Friends of Aberdeen Art Gallery & Museums.
CopyrightOut of copyright - CC0
LocationOn Display - Aberdeen Maritime Museum
Object numberABDAG010741
About MeThe fresco for which this study was painted is situated on the stairwell at Osborne House, Isle of Wight. Osborne House was built in an Italianate style and was considered the Royal marine residence. A fresco with a maritime subject, celebrating Britain's success at sea, was therefore a fitting subject.The scene illustrates the imminent coronation of Britannia by Mercury, who bridges the gap between land and sea -Neptune and Britannia. Britannia stands triumphant, her majesty reinforced by the figures surrounding her, their attributes signifying British industry. The female figure holds a distaff, symbolic of the textile industry and the male figure to the extreme right of the composition stands next to an anvil, representing the manufacture of iron and steel. The figure with his back to the spectator carries Mercury's caduceus, a symbol of peace, eloquence and reason, again reference to Britannia's virtues.
More About Me
Painted at the start of British imperialism, the scene illustrates the imminent coronation of Britannia by Mercury, who bridges the gap between land and sea. Can you spot the symbolic references to British industries?
Exhibitions
William Dyce
Charles Thévenin
Ming Dynasty, 1368-1644