Images(2)

Flowers and Fruit

Artist Richard Earlom (London, England, 1743 - 1822)

AfterAfter Jan van Huysum (Amsterdam, Netherlands, 1682 - 1749)

Mediummezzotint on paper

ClassificationsPrints

DimensionsOverall: Height: 51 cm, Width: 39.9 cm

AcquisitionAlexander Webster Bequest, 1921.

CopyrightOut of copyright - CC0

LocationView by Appointment - Aberdeen Treasure Hub

Object numberABDAG006005

Keywords

About MeBorn and bred in Amsterdam, Van Huysum established himself as one of the best flower painters in the Netherlands. He was also something of an artistic pioneer, being the first to use light paints on an even lighter background. He kept his techniques well-guarded, and reluctantly took on only one student. Despite his secrecy his work and style was imitated widely.Richard Earlom (1742-1822), English mezzotint engraver, was born and died in London. His natural faculty for art appears to have been first called into exercise by admiration for the lord mayor's state coach, just decorated by Giovanni Battista Cipriani. He tried to copy the paintings, and was sent to study under Cipriani. He displayed great skill as a draughtsman, and at the same time acquired without assistance the art of engraving in mezzotint.

In 1765, Earlom was employed by Alderman Boydell, then one of the most liberal promoters of the fine arts, to make a series of drawings from the pictures at Houghton Hall; and these he afterwards engraved in mezzotint. His most perfect works as engraver are perhaps the fruit and flower pieces after the Dutch artists Van Os and Jan van Huysum. Among his historical and figure subjects are Agrippina, after West; Love in Bondage, after Guido Reni; the Royal Academy, the Embassy of Hyderbeck to meet Lord Cornwallis, and a Tiger Hunt, the last three after Zoffany; and Lord Heathfield, after Sir Joshua Reynolds.

Earlom also executed a series of 200 facsimiles of the drawings and sketches of Claude Lorraine, which was published in 3 vols. folio, under the title of Liber veritatis (1777-1819).