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Still Life No 6

Artist (Edinburgh, Scotland, 1926 - 2009)
Date1974
Mediumoil on canvas
ClassificationsPaintings And Drawings
DimensionsOverall: Height: 55.5 cm, Width: 45 cm
Frame: Height: 77.1 cm, Width: 67 cm
AcquisitionPurchased in 1975.
Copyright© The Artist. All Rights Reserved 2023 / Bridgeman Images
LocationOn Display - Gallery 07
Object numberABDAG002282
Keywords
About MeThroughout his painting career, Craigie Aitchison was preoccupied with the subject of the Crucifixion and the mountain peaks of Arran which dominate his compositions. Here, the crucifix is replaced by a burning candle - a traditional symbol of Christian faith. Aitchison's flowers, often single sprigs, are simplified beyond identification and float against a rich backdrop of flat colour.

Aitchison has been described as an austere and puritanical artist. These qualities no doubt owe something to his Scottish upbringing but also, perhaps, to his training at the Slade School of Art in London, where the Quaker notions of honest sobriety and factual observation were regarded most highly. These qualities, when combined with Aitchison's intense sense of colour, enabled him to create throughout his career a series of remarkable paintings. He is one of the few 20th century artists who could paint moving religious paintings. Equally, his still lifes, pure, grave and emotive, can often be deeply spritual.

As part of Aberdeen Art Gallery’s plus music playlists, Art Chat is an engaging series of short audio interpretations offering children’s perspectives of individual artworks. Young peoples’ voices are an integral part of the community and we wanted to offer primary aged learners the opportunity to voice their thoughts and opinions about a selection of artworks from the Aberdeen Art Gallery collection.

Learners from Aberdeen’s Quarryhill School and Manor Park School took part in discussions and activities to look for themes, symbols and clues within a selection of artworks. Learners were given the opportunity to work co-operatively with their classmates and gallery staff to explore their thoughts and feelings by responding to real works of art at Aberdeen Treasure Hub. These activities supported creative skills and helped to build learners’ confidence in talking about art.

Alongside the image of this object you can now listen to their interpretation of Aitchison's work.

More About Me
This painting feels joyful with the bright candle taking centre stage. The flower in the foreground looks like it is jumping for joy with its arms in the air.
Exhibitions
Chinese Red Silk Embroidered Banner
James Cromar Watt
19th century
Still Life With Roses by Samuel John Peploe
Samuel John Peploe
c. 1924
Still Life on a Bamboo Table
William Brooker
1961
Still Life Pointed Lace
Sir William Gillies
1947
Still Life with Jug of Flowers
Alberto Morrocco
1975
Still Life
George "Taffy" Davidson
1935
Still Life
George Leslie Hunter
Still Life
Angus Menmuir Neil
1963
Flowerpiece
Duncan Grant
1922
The White Azalea by Anne Redpath
Anne Redpath
c. 1950 - 1952
Flowerpiece
Rowland Suddaby
1940
Still Life, Red Flower
Professor David Michie
1960
The Breakfast Table
Roger Fry
c.1918
Michaelmas
Sir Frank Brangwyn
1920
Yarrow and Ragwort
Jules Lessore
The Brown Crow
Sir William Nicholson
1917
Japanese Anemones
Henri Fantin-Latour
1884
Paper Objects
William Baillie
1980
Mrs William Pirie Smith
Archibald David Reid